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I was 9 when I knew I wanted to be a painter.
The world around me was already falling apart—
a home full of shouting, broken walls, and silences heavier than any punch.
I grew up in a violent household.
But then the Adventists found us—and somehow, they brought calm.
The prayers got louder than the chaos. That saved something in me.
Art became my escape. My first language.
I didn’t have fancy tools—just scraps of cardboard, rusted pencils, and raw need.
I wasn’t trying to make something pretty. I was drawing to survive.
Every line whispered: “You’re still here. Don’t give up.”
Then Venezuela collapsed.
No work. No way forward. Just a restless heart and visions I couldn’t ignore.
So I left—with nothing but a sketchbook and instinct.
Crossed borders, chased breath: Dominican Republic, Colombia, Ecuador, Peru, Argentina.
Always moving. Always creating.
#eos #superrare #ethereum #bitcoin #tezos
Learning to leave digital footprints even when the real world felt unstable.
In 2017, I met Stellabelle. She was more than an inspiration; she was a lifeline. She taught me, worked beside me, and helped me survive.From that point on, I began channeling my chaos into cryptoart: abstract noise, neo-expressionist fire, 3D glitches soaked in memory. This art does more than exist—it transforms. It allows me to turn creativity into currency, and that currency into direct support for a children's home in Peru and other causes close to my heart. I don't just make money; I make change.The path hasn't been simple. I've been hacked. I've lost everything. I've started over—more than once. But that’s part of the ritual. You rebuild. You adapt. You stay wild.And through it all, there's this profound pride: my art, born from chaos, now helps build a future. It's the most honest cycle I know.I’m here to burn through the system—with scars, rhythm, and raw truth.Every piece I create is a signal.
A fragment of pain. A spark of hope.
A pulse for those still out there—fighting, dreaming,
in a world that keeps breaking and breathing at the same time.